We've had an unusually dry, spectacular summer this year, but it looks like the rain is catching up with our luck. An introvert like me wouldn't mind a gloomy rain, in fact, I'd rather prefer it to a persistent glare of sunshine. But, it appears that all the debt of rain have concentrated in the last few days and it's been pouring like a crazy river with a strong gust that resulted in flood and fallen trees in some parts of our state. I heard there was a tornado here today as well... Tornado!? It normally doesn't happen here. I hope no one got hurt... What an insane weather it's been, though... So, I've been leaving all the craziness outside and cocooning myself with a calmness of dusty old books in this century old basement.
This book I chose to work on came in several months ago and has been on top of our backlog list for quite sometime. So I have been fully aware of this book, - not that I had forgotten about it or anything. What the client asked us to do is to create a brand new leather spine with facsimile gold tooling, as the condition of the original spine leather was deteriorating to the point when it was touched, it fell apart. The reason why I have been putting this book aside until now was because I wasn't one hundred percent sure how to deal with the former restoration. As you see, it had been rebacked and hinged previously with the original spine leather glued back on. For some reason, I just couldn't decide whether to leave parts of the visually obvious previous restoration as is and restore the book accordingly, or rid all of it in order to set the base to a default so that I could make my restoration work seamless and wouldn't look obvious. Anyway, I chose the latter because it's the right thing to do despite of the difficulty of matching the leather perfectly to the pasta española. I had series of tools that were pretty similar to the original, so everything went smoothly after having made up my mind about the direction. (The removing and cleaning of the previous restoration of superficial internal cloth hinges was nasty though..)
This is Sophocles, the plays and fragments, Part II. Oedipus Coloneus, by Richard C. Jebb, published by Cambridge University Press. (London, 1885) The restoration involved a rehinge with custom-dyed leather, facsimile gold tooling, internal cloth hinges and restoration on the edges and corners.